The Curve
A back, a hip, and the space between. Broad-to-fine strokes let the figure appear without closing the outline.
Shop this drawingDifferent moods. The same hand.
The drawing archive.
The breaks stay.
The rough edges stay.
Face
A face assembled from eyes, brows, a nose and lips. No outline needed.
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Turn Away
An interrupted silhouette. Small breaks in the contour leave the pose open, with the pressure of the pen still visible.
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Hands on Hips
An angular seated-back study. Heavy marks and wide-open paper do the work.
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Off Duty
Goggles, an open jacket and a grin. Loose strokes with a little more character.
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Stay a Little
A seated profile with more weight in the ink. Angular marks and loose curves share the same space.
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Bow Tie
A sideways glance, tied hair and one bold bow. A portrait caught between thick and broken lines.
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Albatross
An Antipodean albatross in flight, from Pablo’s bird-sketch archive. Long wings and raw brush texture.
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Bare Form
A bare torso built from broken contours and changes in pen pressure.
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One Line
One thick, looping gesture. A body suggested rather than described.
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Half Turn
A turned hip and long legs, caught in faint, restless pen marks.
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Folded
A compact folded pose, held together by a few angular lines.
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Full Boon
A close-cropped reclining figure, framed with rough black lines.
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Peaking Out
An angular torso study with sharp marks and room to breathe.
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On Reflection
A seated figure meets its reflection. Two viewpoints, one spare drawing.
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Front and Back
Two figures, front and back: light contours beside a heavy sweep of ink.
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